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DDLY Dynamic Delay by Izotope for free!

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DDLY Dynamic Delay

FREE THROUGH MARCH 10

Don’t delay, delay today

DDLY Dynamic Delay responds to your track’s musical dynamics to create versatile and intriguing delays. It’s a one-of-a-kind effects plug-in that delays the signal differently depending on the character of the sound, without turning your track to aural mud. Adjust the threshold to split your signal based on transients, then send it down two separate analog or granular delay paths.

Get a cleaner, more complex sound than a traditional full-signal delay plug-in with DDLY!

Get DDLY Dynamic Delay from February 9, 2016 through March 10, 2016 and you will receive a full license of DDLY Dynamic Delay for free. After March 10, 2016, DDLY Dynamic Delay will be available at the regular price of $49 USD. Limit one per customer. Not transferrable.

Key Features

  • Two delays in one: DDLY analyzes your audio based on an adjustable threshold to determine what to send to the top delay and what to send to the bottom delay. Adjust the Intensity to affect how strongly the signal is split between the two—great for a punchy delay on the harder, transient crack of your drums and a shuffling delay on the main beat elements.
  • Customize your delay: Both delays have two modes to choose from: Analog or Grain. Analog produces warm lo-fi delays with smearing and nostalgic degradation. Grain produces melodic, symphonic, and futuristic sounds for truly new soundscapes.
  • Responsive interface: The interface of DDLY reacts to the material it’s applied to for unique real-time visual feedback. As the knobs come to life, your sound gets cooler. Go ahead, get ‘em all going!
  • Automatable: DDLY can be set up with automation in your audio host, to engage the dynamic delay on your mix when you want it to and back off when you need the raw material to shine.

Get going with DDLY!

The best thing to do with DDLY is put on everything. Seriously — it’s going to sound awesomer and awesomer the more you let it rip. But, even though you can play with it like crazy, it’s not only a toy. DDLY has some serious and powerfully practical uses, too.

DDLY on drums

On a drum track, try setting DDLY to only add echo to the harder attacks of the kick and snare. You’ll get that cool, echo effect without adding delay to the extra buzz from the snares or the room noise or a sloppy high hat that would make the mix sound muddy or crowded. Or dial in different delay patterns for the transients and the more constant energy of the performance, to keep the foundation in place and let the accents and flourishes bloom and soar.

⤑ Learn how to dial up DDLY for drums.

DDLY on vocals

DDLY works great on vocals, too! Emphasize the full range of the vocal take with a subtle delay on the verse and a more intense delay on the bigger moments in the chorus. Instead of laborious studio setup with multiple mics and complex routing, DDLY lets you dial in unique performance-based delay effects quickly. No more canned, inflexible delay!

DDLY on INSANITY!

DDLY is not for the timid. The echoing wail of DDLY can ring and rattle and twist your insides. Yes, it can be extreme. Yes, it can go too far. But sometimes, too far is exactly how far you need to go. Push DDLY to the limits and see what you get. Make insane sounds, get complex delays, discover new horrors, and just try to get out alive.

DDLY on whatever you imagine

Any source with a strong dynamic range and expressiveness is a great candidate for DDLY, to build upon the dynamics rather than compress them. Try it on guitars to add delay and echo to only the loudest parts of a performance and not touch the more intimate moments. Try it on piano or synth tracks. Automate the delay over the course of your whole mix, to get intense on some sections and dial it back in others. Run wild! Be free![/vc_column_text][/accordion][accordion title=”DDLY Dynamic Delay Technical Specs”][vc_column_text]Latest version: DDLY Dynamic Delay 1.00 released February 9, 2016. 

DDLY Dynamic Delay runs as a plug-in within your audio editing software. DDLY is not a standalone application. In DDLY, you are not able to save settings as presets within the plug-in.

(Download the DDLY Recall Sheet to keep track of your favorite settings!)

Operating system requirements

  • Windows: 7, 8, and 10
  • Mac: OS X 10.8–10.11

Plug-in formats

VST 2 (32-bit and 64-bit), VST 3 (32-bit and 64-bit), Audio Unit (32-bit and 64-bit), AAX (64-bit), RTAS (32-bit), Audiosuite DPM and AAX.

All listed plug-in formats include support for automation except for Audiosuite DPM and Audiosuite AAX.

Plug-in host compatibility

Logic Pro X.2, Ableton Live 9.5, Pro Tools 12.4, Pro Tools 11.3.1, Cubase Pro 8.5, REAPER 5.11, FL Studio 12.2, Studio One 3.1.1, Pro Tools 10.3.1

Supported sample rates

44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz, 192 kHz

More information and download from the Izotope website

TDR Kotelnikov Freeware Plugin

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TDR Kotelnikov Freeware Plugin

Hi there! I hope you had a great black Friday – Cyber Monday time :). Just got an email the other day from Tokyo Dawn Labs (I’m subscribed to their mailing list, if you are not you should!).

Tokyo Dawn Records (TDR) is the name of a tough little music unit meanwhile based in Munich, Germany. Established 1997 by Marc Wallowy and friends, TDR has been spreading soul futurism on the internet since its beginning. Now, they also develope GREAT plugins, and the best part of it is that some of them are Free or very affordable. For that reason I believe is worth mentioning and promote their work.
This is their last release TDR Kotelnikov, a great addition to any Home Studio or  Pro Studio, specially because they offer a great freeware version and a more improved /completed version called “Gentleman 40 €“. If you ever wonder how to get that “big ” “punchy” sound, well this tool will help you to improve and finalise the overall sound of your mix.

About TDR Kotelnikov
TDR Kotelnikov is a wideband dynamics processor combining high fidelity dynamic range control with deep musical flexibility. As a descendant of the venerable TDR Feedback Compressor product family, Kotelnikov has directly inherited several unique features such as a proven control scheme, individual release control for peak and RMS content, an intuitive user interface, and powerful, state of the art, high-precision algorithms.

With a sonic signature best described as “stealthy”, Kotelnikov has the ability to manipulate the dynamic range by dramatic amounts, while carefully preserving the original tone, timbre and punch of a musical signal. As such, it is perfectly suited to stereo bus compression as well as other critical applications.

The concept is “proudly digital” in the sense that it doesn’t try to emulate any previously existing device. This is the original!

Freeware Key specs and features
-64bit floating point precision for all relevant calculations
-Multi-rate processing structure for highest accuracy
-“Delta” oversampled signal path (bit transparent at 0dB gain reduction)
-Super fast, yet natural sounding compression
-“Crest factor” based control scheme offering independent release controls for peak and RMS events
-Flexible sidechain highpass filter<br> Advanced stereo linking options optimized for the stereo bus
-Delta preview mode to preview the difference between compressed and original signal
-Latency compensated parallel bypass (i.e. processing not interrupted).

Gentleman’s Key specs and features
-64bit floating point precision for all relevant calculations
-Multi-rate processing structure for highest accuracy
-“Delta” oversampled signal path (bit transparent at 0dB gain reduction)
-Super fast, yet natural sounding compression
-“Crest factor” based control scheme offering independent release controls for peak and RMS events
-Flexible sidechain highpass filter<br> Advanced stereo linking options optimized for the stereo bus
-Delta preview mode to preview the difference between compressed and original signal
-Latency compensated parallel bypass (i.e. processing not interrupted).

Extensive documentation The Gentleman’s Edition adds following features:
-Continuously variable control over “low relax” slope
-L<>R sensitivity
-Powerful frequency dependent ratio function (FDR)
-Yin/Yang modes (manipulates the compressor’s own distortion behaviour)
-Equal loudness output gain trimming
-Equal loudness bypass
-“Insane” quality mode
-10 additional user preset slots [/accordion] [/accordions]

-Download Freeware TDR Kotelnikov from Tokyo Dawn Labs Site

-Or BUY The more  Complete Gentleman’s Version from Tokyo Dawn Labs Site

 

Revival by Slate Digital Freeware

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Revival by Slate Digital Freeware

(Ilok 2 Key required)

-Analog Modeled Sonic Enhancer
-Musically Tuned by Ear Emulates Characteristics of Tubes, Transformers, and Tape
-Unlike Any Other Two Knob Processor You’ve Heard

Overview
Revival by Slate Digital Freeware is the product of years of research into what makes things sound ‘better’. The Slate Digital Team analyzed what it was about classic analog gear that could turn tracks into audio masterpieces, and broke the process down into two knobs. That may sound a bit crazy, but wait till you hear Revival.

Revival borrows aspects of tubes, tape, transformers, and world class analog filters to create two processes. Shimmer adds depth, clarity, space, width, and air like you’ve never heard. Thickness adds warmth, punch, body, and fatness.

Revival can be used on individual tracks, such as to create air on a pop vocal or add fatness to drums, but is also amazing in mastering to bring out details in full mixes. And best of all, you can download the Virtual Mix Rack which includes Revival and the Mix Bundle (two analog modeled eqs and compressors), and Revival’s license will never expire. That’s right, Revival is FREE!

System Requirements
Dual Core Intel Processor, 8 GB RAM Recommended
Mac OS® X 10.7 or later
Intel Mac 32bit: RTAS, AAX
Intel Mac 32bit and 64bit: AAX, VST2, VST3, and AU
iLok2 Required
Dual Core Intel or AMD Processor, 8 GB RAM Recommended
Windows 7® (32/64 Bit) or later
Windows 32bit: RTAS, AAX
Windows 32bit and 64bit: AAX VST2, and VST3
iLok2 Required

Note: AAX 64-bit, Pro Tools 11 compatible

Download Revival by Slate Digital Freeware

*To Download it, you have to register with a verify email address,  your name and surname.

iLok2 Required 

*If you don’t have the Ilok License Manager,  You can sign up and register for free a new account in Ilok.com, download the Ilok License Manager and add the product with serial number provided by email.

BitterSweet v3 Freeware by fluxhome

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BitterSweet v3 Freeware – The BitterSweet Transient Designer


[ AU 32 & 64 bit | VST 32 & 64 bit | AAX Native/DSP* | Merging VS3 32 & 64 bit** ]

BitterSweet v3 Freeware is a free software processing tool for managing audio transients. Turning the big wheel button on the sweet side, decreases the transients amplitude. On the bitter side the transients amplitude is magnified.

BitterSweet v3 Freeware is built around our latest 64-bit version 3 framework improving the processing performance dramatically. The graphic rendering in Bittersweet v3 is using a GPU-efficient 2D/3D graphic engine. The engine, introduced first in the Pure Analyzer System, is based on the OpenGL standard optimizing the audio-to-visual experience utilizing the GPU on the computer’s built in graphics card.

BitterSweet v3 also features a control for the signal to be processed. When the main position is engaged, the process affects the stereo signal. If Center is engaged, only the M signal of the internal MS matrix is processed. If stereo is selected, only the S signal from the MS matrix is processed.

Three transient detection modes can be selected. Varying periods of integration for transients can be accessed. A Link function is provided to compensate the output gain with respect to the transient processing setting.

Like all Flux:: plug-ins, it features 64 bit floating point processing, up to 8 channels and up to 8 FS (384 KHz). Center and Stereo Modes are only available in stereo processing (2 channels).
We hope you will enjoy this new tool and make your mix Bitter, or Sweet…

 Neither Flux or iLok dongle, nor registration is required.
Download BitterSweet v3 Freeware by fluxhome

 Open Sound Control Support

Open Sound Control (OSC) is a content format for messaging among computers, sound synthesizers, and other multimedia devices that are optimized for modern networking technology. Bringing the benefits of modern networking technology to the world of electronic musical instruments, OSC’s advantages include interoperability, accuracy, flexibility, and enhanced organization and documentation.

With the Flux:: version 3 (v3) framework support for OSC is introduced in order to allow for remote control of the plug-in parameters using OSC enabled devices and software applications such as TouchOSC for iPhone / iPod Touch / iPad.

Sample OSC layout in TouchOSC (for Ircam Verb v3)

http://www.fluxhome.com/public/download/beta/16672/VerbV3OSC.PNG
TouchOSC Website

http://hexler.net/software/touchosc
*BitterSweet v3 AAX Native/DSP supports 32 bit in Pro Tools 10.3.5 and 64 bit in Pro Tools 11.
**VS3 32/64 bit versions for Pyramix 9 & Ovation Native/MassCore available only through Merging Technologies

Stereo Tool v3 Freeware Plugin

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Stereo Tool v3 Freeware Plugin

 

Stereo Tool v3 from fluxhome.com , Its a great addition to any home studio. its definitely a “must have”.

Detail Information

Stereo Tool v3 freeware plugin features ultra precise control of input gain and individual pan for left and right channels. A phase inverter is available on each channel. Global stereo pan and stereo width settings are also implemented to complete the management of the stereo signal.

Stereo Tool v3 also offers accurate visual feedback reflecting the signal content. A vector scope display, PPM meters for both inputs and outputs, and a phase correlation meter permanently monitor the signal.

Inserting our Stereo Tool v3 after a BitterSweet v3, will open your mind to new ways of controlling the stereo stage.

Like all Flux:: plug-ins it features 64 bit internal floating point processing, up to 8 FS (384 KHz).

Stereo Tool v3 is available in native versions, AU, AAX and VST.

No dongle or registration required.

Features

Signal Processing Features

-Output Gain, controlling the gain at the end of the processing.
-Bypass routes the incoming signal direct to the output for a true smooth transition between processed and clean signal.

Three different transient processing modes:

-Main, using a regular stereo signal scheme for the processing.
-Center, processing the Mid channel only, very efficient for snare and kick drums.
-Stereo, processing the Side channel only, very efficient for panned rhythmic/transient

Processing Specifications

Stereo Tool v3, as all Flux:: plug-ins, provide

-Up to 8 channels Input/Output.* 64-bits internal floating point processing.
-Sampling rate up to 384 kHz DXD (Pyramix & Ovation MassCore/Native)**
-Sampling rate up to 384 kHz for native (AU/VST(AAX).
*Not when using Center and Stereo mode, as they are M/S modes requiring stereo operation.

Compatibility

All major native formats are supported
-Windows – Vista, 7 and 8 all in both 32 and 64 bits*. (XP v.2.4 / 32 bit only)
-VST (2.4)
-AAX Native
-Mac OS X (Intel) – 10.7, 10.8 and 10.9 in both 32 and 64 bits*.
-VST (2.4)
-AU
-AAX Native

Due to AVID ProTools changing to AAX, from Version 3 (v3) RTAS for AVID ProTools is no longer supported.

You can Donwload it from fluxhome.com
Requires Ilock ID